"Suite concertante in D Major, H. 276a: II. Aria" by Bohuslav Martinů, Frank Peter Zimmermann, Bamberg Symphony, Jakub Hrůša was released on January 12, 2024. Since Suite concertante in D Major, H. 276a: II. Aria is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Stravinsky, Bartók & Martinů: Violin Works". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Suite concertante in D Major, H. 276a: II. Aria is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite concertante in D Major, H. 276a: II. Aria by Bohuslav Martinů, Frank Peter Zimmermann, Bamberg Symphony, Jakub Hrůša having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
L'Oiseau de feu (1911 Version): XVI. Danse infernale de tous les sujets de Kastchei | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Major | 0 | 6B | 77 BPM | ||
Loutky, H. 137: No. 5. Tanec loutek (Dance of The Puppets) | Bohuslav Martinů, Giorgio Koukl | E♭ Major | 2 | 5B | 72 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Le Carnaval des animaux - Introduction et marche royale du lion | Le carnaval des animaux | A Minor | 3 | 8A | 165 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM |
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