Shawn Ryan made "Balls, Ma'am (Patter) [Live]" available on November 11, 2018. For a fairly short song, this song is "Balls, Ma'am (Patter) [Live]" is considered an explicit song with a duration of 0:34. There are a total of 30 in the song's album "Shawn Ryan (Live)". In this album, this song's track order is #11. Based on our statistics, Balls, Ma'am (Patter) [Live]'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Balls, Ma'am (Patter) [Live] by Shawn Ryan having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor | Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, The Monteverdi Choir | A Major | 0 | 11B | 99 BPM | ||
Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | ||
镜破 | 何旭辉 | D♭ Minor | 4 | 12A | 134 BPM | ||
Serenade for Wind in D minor, Op.44: 3. Andante con moto | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | A Major | 0 | 11B | 139 BPM | ||
Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) | George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Minor | 0 | 5A | 78 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Overture, Act I: Cavatina. Largo al factotum [Vivace] [arr. W. Sedlak] | Gioachino Rossini, Italiano di Fiati, Paolo Pollastri | C Major | 1 | 8B | 98 BPM | ||
El Carnaval de los Animales: Los Fósiles | Mario Iván Martínez, Alberto Cruzprieto, Edith Ruiz, Hector Ortega, José Luis Castillo, Oscar Romano | B♭ Major | 5 | 6B | 114 BPM | ||
The Medium, Act I: "the Sun has fallen" (Monica) | Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 0 | 6A | 78 BPM | ||
The Medicine - Uncle Fester Remix (instrumental) | Mickey O'Brien, Uncle Fester | B Major | 5 | 1B | 92 BPM | ||
今夜玫瑰 - 伴奏 | 唯今 | C Major | 4 | 8B | 130 BPM |
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