Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Wachet auf, ruft uns die Stimme (Chorus)
Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Bach: Cantatas, Vol. 12
6:15 October 26, 2010
BPM
101
Key
D Major
Camelot
10B

Embed

Share Link

Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Wachet auf, ruft uns die Stimme (Chorus) - Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information

Acousticness
98%
Danceability
34%
Energy
24%
Instrumentalness
3%
Liveness
37%
Loudness
69%
Speechiness
4%
Valence
37%
Popularity
Loudness
-18.464 dB

Summary

Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Wachet auf, ruft uns die Stimme (Chorus)' came out on October 26, 2010. Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Wachet auf, ruft uns die Stimme (Chorus) is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 19 out of 47 in Bach: Cantatas, Vol. 12 by Johann Sebastian Bach, John Eliot Gardiner. In terms of popularity, Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Wachet auf, ruft uns die Stimme (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Wachet auf, ruft uns die Stimme (Chorus) BPM

The tempo marking of Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Wachet auf, ruft uns die Stimme (Chorus) by Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Wachet auf, ruft uns die Stimme (Chorus) Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerEin deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragenJohannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerF Major17B136 BPM
Gottes Zeit ist die allerbeste Zeit, BWV 106 Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIIb. Arioso e Corale "Heute wirst du mit mir"Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Edward Grint, Nicolas KuntzelmannE Major412B101 BPM
Brandenburg Concerto No. 1 In F Major, BWV 1046: II. Adagio by Cologne Chamber Orchestra, Johann Sebastian BachBrandenburg Concerto No. 1 In F Major, BWV 1046: II. AdagioCologne Chamber Orchestra, Johann Sebastian BachD Minor17A78 BPM
The Fairy Queen, Z. 629 / Act 1: Rondeau by Henry Purcell, English Baroque Soloists, John Eliot GardinerThe Fairy Queen, Z. 629 / Act 1: RondeauHenry Purcell, English Baroque Soloists, John Eliot GardinerF♯ Major12B135 BPM
Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz! by Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma KirkbyMatthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz!Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma KirkbyB♭ Minor03A135 BPM
Matthäus Passion, Parte Seconda: 38c. Recitative - Evangelist, Peter: Da Hub Er An, Sich Zu Verfluchen by Stephen Cleobury, Martyn Hill, Michael George, Choir of King's College, Cambridge, Rogers Covey-Crump, Johann Sebastian Bach, Emma Kirkby, Michael Chance, David ThomasMatthäus Passion, Parte Seconda: 38c. Recitative - Evangelist, Peter: Da Hub Er An, Sich Zu VerfluchenStephen Cleobury, Martyn Hill, Michael George, Choir of King's College, Cambridge, Rogers Covey-Crump, Johann Sebastian Bach, Emma Kirkby, Michael Chance, David ThomasB Major01B88 BPM
Ein deutsches Requiem (A German Requiem), Op. 45: VI. Denn wir haben hie keine bleibende Statt by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerEin deutsches Requiem (A German Requiem), Op. 45: VI. Denn wir haben hie keine bleibende StattJohannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerC Major28B115 BPM
II. Nach Dir, Herr, Verlanget Mich BWV 150, Coro: Nach Dir, Herr, Verlanget Mich by Holland Boys Choir; Netherlands Bach Collegium, Sytse Buwalda, Bas Ramselaar, Trudy Van Der Wulp, Knut Schoch, Ruth Holton, Johann Sebastian Bach, Pieter Jan LeusinkII. Nach Dir, Herr, Verlanget Mich BWV 150, Coro: Nach Dir, Herr, Verlanget MichHolland Boys Choir; Netherlands Bach Collegium, Sytse Buwalda, Bas Ramselaar, Trudy Van Der Wulp, Knut Schoch, Ruth Holton, Johann Sebastian Bach, Pieter Jan LeusinkB♭ Minor13A87 BPM
Mass No. 2 in F Major, Hob.XXII:1, Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": KyrieJoseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen BurdickD♭ Major33B163 BPM
Vespro della Beata Vergine, SV 206: Ave maris stella a 8 - Live by Claudio Monteverdi, Michael Chance, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Jakob Lindberg, The Monteverdi Choir, The London Oratory Junior ChoirVespro della Beata Vergine, SV 206: Ave maris stella a 8 - LiveClaudio Monteverdi, Michael Chance, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Jakob Lindberg, The Monteverdi Choir, The London Oratory Junior ChoirD Major210B125 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.485239028930664

End: 1.4907238483428955