Pièces froides:: Airs à faire fuir - I. D'une manière très particulière by Erik Satie, Reinbert de Leeuw

Song Analysis

Audio information that is featured on Pièces froides:: Airs à faire fuir - I. D'une manière très particulière by Erik Satie, Reinbert de Leeuw.

Acousticness

100%

Energy

1%

Liveness

9%

Speechiness

4%

Danceability

34%

Instrumentalness

89%

Loudness

46%

Valence

7%

Harmonic Matches

Find songs that harmonically matches to Pièces froides:: Airs à faire fuir - I. D'une manière très particulière by Erik Satie, Reinbert de Leeuw. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Set of 5 Take-offs: Song Without (Good) Words by Charles Ives, Joel Sachs, ContinuumSet of 5 Take-offs: Song Without (Good) WordsCharles Ives, Joel Sachs, ContinuumC Major08B104
Thursday Afternoon - 2005 Digital Remaster by Brian EnoThursday Afternoon - 2005 Digital RemasterBrian EnoC Major18B82
Gnossienne No.6 by Pascal RogéGnossienne No.6Pascal RogéC Major08B113
Tenebrae: 2. by Osvaldo Golijov, Kronos QuartetTenebrae: 2.Osvaldo Golijov, Kronos QuartetC Major18B87
Peace Piece by Bill EvansPeace PieceBill EvansC Major08B133
String Quartet No. 4 in C Major, Op. 17, Sz. 91: String Quartet No. 4 in C Major, Op. 17, Sz. 91: V. Allegro molto by Béla Bartók, Jerusalem QuartetString Quartet No. 4 in C Major, Op. 17, Sz. 91: String Quartet No. 4 in C Major, Op. 17, Sz. 91: V. Allegro moltoBéla Bartók, Jerusalem QuartetC Major28B142
Bibo No Aozora by Ryuichi SakamotoBibo No AozoraRyuichi SakamotoC Major18B75
The Unanswered Question by Charles Ives, Orpheus Chamber OrchestraThe Unanswered QuestionCharles Ives, Orpheus Chamber OrchestraC Major08B68
N3 Lent Et Grave 3 Gymnopedies by Aldo CiccoliniN3 Lent Et Grave 3 GymnopediesAldo CiccoliniC Major08B94
Metamorphosis 1 by Philip Glass, Bruce BrubakerMetamorphosis 1Philip Glass, Bruce BrubakerC Major08B66
Osmyo by Arno EliasOsmyoArno EliasC Major68B128
Gnossienne No.4 by Pascal RogéGnossienne No.4Pascal RogéC Major08B124
Adagio by Samuel Barber, Music Lab CollectiveAdagioSamuel Barber, Music Lab CollectiveC Major08B69
Six Etudes for Piano - q = 108 by Philip Glass, Bruce BrubakerSix Etudes for Piano - q = 108Philip Glass, Bruce BrubakerC Major08B172
The Unanswered Question by Charles Ives, Royal Northern Sinfonia, James SinclairThe Unanswered QuestionCharles Ives, Royal Northern Sinfonia, James SinclairC Major08B63
Caresse by Pascal RogéCaressePascal RogéC Major08B82
So What (feat. John Coltrane, Cannonball Adderley & Bill Evans) by Miles Davis, John Coltrane, Cannonball Adderley, Bill EvansSo What (feat. John Coltrane, Cannonball Adderley & Bill Evans)Miles Davis, John Coltrane, Cannonball Adderley, Bill EvansC Major28B136
Arabesque 3 by Harold BuddArabesque 3Harold BuddA Minor18A67
The Sacrifice by Michael NymanThe SacrificeMichael NymanA Minor28A100
3 Gnossiennes: No.3 by Katia Labèque3 Gnossiennes: No.3Katia LabèqueA Minor08A67
4 Bagatelles, Op. 30: No. 1. — by Alan Hovhaness, Shanghai Quartet4 Bagatelles, Op. 30: No. 1. —Alan Hovhaness, Shanghai QuartetA Minor18A115
The Swan of Tuonela, Op. 22, No. 3 by Jean Sibelius, Leonard Bernstein, New York PhilharmonicThe Swan of Tuonela, Op. 22, No. 3Jean Sibelius, Leonard Bernstein, New York PhilharmonicA Minor18A75
3 Gymnopedies (arr. A. Miolin): Gymnopédie nr 3 by Anders Miolin, Erik Satie, Olof Hojer3 Gymnopedies (arr. A. Miolin): Gymnopédie nr 3Anders Miolin, Erik Satie, Olof HojerA Minor08A68
Nagoya Marimba by Steve Reich, Bob Becker, James PreissNagoya MarimbaSteve Reich, Bob Becker, James PreissA Minor28A106
Gymnopedie No.3 by Pascal RogéGymnopedie No.3Pascal RogéA Minor08A72
Maniere De Commencement by Aldo CiccoliniManiere De CommencementAldo CiccoliniA Minor08A81
Cantus in memoriam Benjamin Britten by Arvo Pärt, Angèle Dubeau, La PietàCantus in memoriam Benjamin BrittenArvo Pärt, Angèle Dubeau, La PietàA Minor18A76
3 Gnossiennes: Gnossienne No.3 by Erik Satie, Roland Pöntinen3 Gnossiennes: Gnossienne No.3Erik Satie, Roland PöntinenA Minor08A67
Reich: Nagoya Marimbas, for 2 Marimbas by Steve Reich, Colin Currie, Sam WaltonReich: Nagoya Marimbas, for 2 MarimbasSteve Reich, Colin Currie, Sam WaltonA Minor38A103
The Heart Asks Pleasure First / The Promise - Edit by Michael NymanThe Heart Asks Pleasure First / The Promise - EditMichael NymanA Minor38A177
3 Utwory w dawnym stylu (3 Pieces in Old Style): III. — by Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit3 Utwory w dawnym stylu (3 Pieces in Old Style): III. —Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni WitA Minor08A130
N3 Lent 3 Gnossiennes by Aldo CiccoliniN3 Lent 3 GnossiennesAldo CiccoliniA Minor08A140
The Promise by Michael NymanThe PromiseMichael NymanA Minor28A80
Enfantillages pittoresques: II. Berceuse by Erik Satie, Cristina AriagnoEnfantillages pittoresques: II. BerceuseErik Satie, Cristina AriagnoA Minor08A127

Pièces froides:: Airs à faire fuir - I. D'une manière très particulière by Erik Satie, Reinbert de Leeuw Information

This song is track #31 in Satie for reading by Erik Satie, Reinbert de Leeuw, which has a total of 50 tracks. The duration of this track is 3:46 and was released on June 6, 2021. As of now, this track is currently not as popular as other songs out there. Pièces froides:: Airs à faire fuir - I. D'une manière très particulière doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Pièces froides:: Airs à faire fuir - I. D'une manière très particulière BPM

Pièces froides:: Airs à faire fuir - I. D'une manière très particulière has a BPM of 65. Since this track has a tempo of 65, the tempo markings of this song would be Larghetto (rather broadly). Overall, we believe that this song has a slow tempo.

Pièces froides:: Airs à faire fuir - I. D'une manière très particulière Key

The key of Pièces froides:: Airs à faire fuir - I. D'une manière très particulière is C Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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