"Magnificat Benedicta es caelorum Regina" by Orlande de Lassus, The Sixteen, Harry Christophers was released on March 1, 2024. Since Magnificat Benedicta es caelorum Regina is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in The Sixteen, Harry Christophers's "Masters of Imitation" album is number 11 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Magnificat Benedicta es caelorum Regina's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat Benedicta es caelorum Regina by Orlande de Lassus, The Sixteen, Harry Christophers to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chi la Gagliarda | Donato Baldissera, Amarcord | E Minor | 0 | 9A | 81 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Izhe Kheruvimi (Cherubic Hymn): No. 7. — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 0 | 10B | 57 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
O virtus Sapientie (arr. S. Kammen for vielle) | Hildegard von Bingen, Shira Kammen, Karen R. Clark | A Minor | 0 | 8A | 130 BPM |
Section: 0.6815876960754395
End: 0.6852869987487793