Sergei Prokofiev, Martha Argerich, Sergei Babayan's 'Pushkin Waltzes, Op. 120: Pushkin Waltz in C-Sharp Minor (Transcription For 2 Pianos By Sergei Babayan)' came out on March 23, 2018. The duration of Pushkin Waltzes, Op. 120: Pushkin Waltz in C-Sharp Minor (Transcription For 2 Pianos By Sergei Babayan) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Pushkin Waltzes, Op. 120: Pushkin Waltz in C-Sharp Minor (Transcription For 2 Pianos By Sergei Babayan)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Prokofiev For Two". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Pushkin Waltzes, Op. 120: Pushkin Waltz in C-Sharp Minor (Transcription For 2 Pianos By Sergei Babayan) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pushkin Waltzes, Op. 120: Pushkin Waltz in C-Sharp Minor (Transcription For 2 Pianos By Sergei Babayan) by Sergei Prokofiev, Martha Argerich, Sergei Babayan having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Waltz No. 12 in F Minor, Op. 70 No. 2 | Frédéric Chopin, Stephen Hough | A♭ Major | 0 | 4B | 76 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Masks | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 84 BPM |
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