"Nun bitten wir den Heiligen Geist" by Johann Walter, Dresdner Kreuzchor, Roderich Kreile was released on April 23, 2010. With Nun bitten wir den Heiligen Geist being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Dresdner Kreuzchor, Roderich Kreile's "Kreuzchorvespern (Komm, Heiliger Geist)" album is number 9 out of 16. Nun bitten wir den Heiligen Geist is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nun bitten wir den Heiligen Geist by Johann Walter, Dresdner Kreuzchor, Roderich Kreile to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Andante in C Major, K. 315 | Wolfgang Amadeus Mozart, Herbert Blomstedt, Johann Walter, Staatskapelle Dresden | A Major | 1 | 11B | 115 BPM | ||
Miserere: I. Miserere mei, Deus | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 76 BPM | ||
Suite en concert: I. Modere - Fremissant | André Jolivet, Bernhard Schmidt, Siegfried Harzer, Thomas Käppler, Frank Behsing, Johann Walter | D♭ Major | 1 | 3B | 98 BPM | ||
Coração da Montanha | Anísio Dias, Johann Walter | D Major | 3 | 10B | 108 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
Mitten wir im Leben sind | Johann Walter, Himlische Cantorey | D Minor | 0 | 7A | 101 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno" | Diego Ortiz, Joel Frederiksen | E Major | 0 | 12B | 126 BPM |
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