Georg Philipp Telemann, The English Concert, Trevor Pinnock made "Ouverture-Suite in G Minor, TWV 55:g4: III. Les Irresoluts" available on 1994. With Ouverture-Suite in G Minor, TWV 55:g4: III. Les Irresoluts being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Telemann: Concerto in D Major & Suiten". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Ouverture-Suite in G Minor, TWV 55:g4: III. Les Irresoluts's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ouverture-Suite in G Minor, TWV 55:g4: III. Les Irresoluts by Georg Philipp Telemann, The English Concert, Trevor Pinnock having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate A Violino E Violoncello O Cimbalo Opus V, Sonate 1 In D Major: Grave-Allegro | Jaap Ter Linden, Rémy Baudet, Arcangelo Corelli, Pieter-Jan Belder, Mike Fentross | G Major | 2 | 9B | 107 BPM | ||
Balletti di Venezia: VII. Adagio | Unknown, Ensemble Caprice, Matthias Maute | D♭ Minor | 0 | 12A | 146 BPM | ||
Canon And Gigue In D Major, P 37: 2. Gigue | Johann Pachelbel, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 128 BPM | ||
Sonata (Concerto) In C Major TWV 40:203, For 4 Violins Without Basso Continuo: 3. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 0 | 1B | 118 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Concerto in C Minor, Op. 3 No. 2: I. Andante - Capriccio | Pietro Locatelli, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 2 | 10A | 124 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E♭ Major | 1 | 5B | 130 BPM | ||
Concerto Grosso No. 9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 3. Siciliana | Charles Avison, The English Concert, Trevor Pinnock | A♭ Minor | 0 | 1A | 102 BPM | ||
Serenade In D Major: Serenata Notturna, K. 239: I. Marcia: Maestoso | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | D♭ Major | 0 | 3B | 124 BPM |
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