Jean-Philippe Rameau, Mireille Delunsch, Françoise Masset, Chorus Of Les Musiciens Du Louvre, Les Musiciens du Louvre, Marc Minkowski made "Dardanus / Prologue: "Je veux que sous mes lois" / "Plaisirs, enchaînez-les"" available on January 1, 2000. The duration of Dardanus / Prologue: "Je veux que sous mes lois" / "Plaisirs, enchaînez-les" is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Dardanus / Prologue: "Je veux que sous mes lois" / "Plaisirs, enchaînez-les"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 79 in the song's album "Rameau: Dardanus". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, Dardanus / Prologue: "Je veux que sous mes lois" / "Plaisirs, enchaînez-les"'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Dardanus / Prologue: "Je veux que sous mes lois" / "Plaisirs, enchaînez-les" by Jean-Philippe Rameau, Mireille Delunsch, Françoise Masset, Chorus Of Les Musiciens Du Louvre, Les Musiciens du Louvre, Marc Minkowski having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
Suite en Sol: Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 97 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM |
Section: 0.8101787567138672
End: 0.8161883354187012