On September 28, 2022, the song "牧神の午後への前奏曲(『ニジンスキー』より)" was released by ベオグラード・フィルハーモニー管弦楽団, イーゴル・マルケヴィッチ. Since 牧神の午後への前奏曲(『ニジンスキー』より) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 映画の中のクラシック ドビュッシーの映画館, so we believe that "牧神の午後への前奏曲(『ニジンスキー』より)" is a single. Based on our statistics, 牧神の午後への前奏曲(『ニジンスキー』より)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 牧神の午後への前奏曲(『ニジンスキー』より) by ベオグラード・フィルハーモニー管弦楽団, イーゴル・マルケヴィッチ is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Triple Concerto for Violin, Cello & Piano in C Major, Op.56 (1996 - Remaster): II. Largo | Herbert von Karajan, Sviatoslav Richter, Mstislav Rostropovich, David Oistrakh, Berliner Philharmoniker | A♭ Major | 1 | 4B | 97 BPM | ||
Preludes Op.28 Nos. 1,4,10,21,24 | Arthur Rubinstein | D Minor | 1 | 7A | 71 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Satie: 6 Gnossiennes: No. 2, Avec étonnement | Erik Satie, Anne Queffélec | D Minor | 0 | 7A | 73 BPM | ||
Cello Concerto in E minor, Op.85: 3. Adagio | Edward Elgar, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | B♭ Major | 1 | 6B | 79 BPM | ||
Polonaise, op. 53, As-Dur: Maestoso | Peter Schmalfuss | A♭ Major | 1 | 4B | 102 BPM | ||
Peer Gynt Suite No.2, Op.55: 4. Solveig's song | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 85 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Elisabeth Sombart | F♯ Minor | 0 | 11A | 81 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
The Firebird (version for piano): Lullaby (The Firebird) | Igor Stravinsky, Idil Biret | A♭ Minor | 0 | 1A | 80 BPM |
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