- BPM
- 80
- Key
- A♭ Minor
- Camelot
- 1A
The Firebird (version for piano): Lullaby (The Firebird) - Igor Stravinsky, Idil Biret Information
- Acousticness
- 99%
- Danceability
- 31%
- Energy
- 0%
- Instrumentalness
- 86%
- Liveness
- 11%
- Loudness
- 43%
- Speechiness
- 4%
- Valence
- 9%
- Popularity
- 33%
- Loudness
- -34.267 dB
Summary
"The Firebird (version for piano): Lullaby (The Firebird)" by Igor Stravinsky, Idil Biret was released on August 10, 2003. The duration of The Firebird (version for piano): Lullaby (The Firebird) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Firebird (version for piano): Lullaby (The Firebird)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Stravinsky: Firebird (The) (Piano Transcription)". In this album, this song's track order is #17. The Firebird (version for piano): Lullaby (The Firebird) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Firebird (version for piano): Lullaby (The Firebird) BPM
With The Firebird (version for piano): Lullaby (The Firebird) by Igor Stravinsky, Idil Biret having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The Firebird (version for piano): Lullaby (The Firebird) Key
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | |
 | 24 Preludes, Op. 11: No. 2 in A Minor | Alexander Scriabin, Evgeny Zarafiants | F Minor | 0 | 4A | 65 BPM | |
 | Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | |
 | Verklarte Nacht (Transfigured Night), Op. 4: Sehr langsam - | Arnold Schoenberg, Fred Sherry String Sextet | C Minor | 1 | 5A | 59 BPM | |
 | Nuages gris, S.199 | Franz Liszt, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 72 BPM | |
 | Concerto for Piano and Orchestra No. 23 in A major: II. Adagio | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | F♯ Minor | 0 | 11A | 85 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM | |
 | Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Renaud Capuçon, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 73 BPM | |
 | Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | |
 | Música Callada III | Federico Mompou, Javier Perianes | B♭ Major | 0 | 6B | 74 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7271099090576172
End: 0.7313196659088135