"Suite liturgique: II. Salve Regina" by André Jolivet, Christiane Karg, Stefan Schilli, Marco Postinghel, Sebastian Klinger, Cristina Bianchi, Oliver Triendl was released on October 1, 2013. The duration of Suite liturgique: II. Salve Regina is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Suite liturgique: II. Salve Regina's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in André Jolivet, Stefan Schilli, Christiane Karg, Cristina Bianchi, Marco Postinghel, Sebastian Klinger, Oliver Triendl's "Jolivet: Chamber Music for Oboe and Cor Anglais" album is number 11 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Suite liturgique: II. Salve Regina is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite liturgique: II. Salve Regina by André Jolivet, Christiane Karg, Stefan Schilli, Marco Postinghel, Sebastian Klinger, Cristina Bianchi, Oliver Triendl to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, Sir Neville Marriner, Minnesota Orchestra | G Major | 3 | 9B | 82 BPM | ||
On a Summer Evening for flute & piano | Gordon Jacob, Rachel Smith, Rachel Fryer, Paul Gregory, Jenny Broome, Esther Ward-Caddle | D Major | 1 | 10B | 67 BPM | ||
Alcázar III | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | G Major | 1 | 9B | 125 BPM | ||
Ibert: Pièce pour flute seule | Jacques Ibert, Emmanuel Pahud | D♭ Major | 0 | 3B | 87 BPM | ||
Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
Ibert: Jeux (Sonatine for Flute and Piano): II. Tendre | Jacques Ibert, Eric Le Sage | B Major | 1 | 1B | 80 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Clarinet Sonata: I. Grazioso | Leonard Bernstein, Andy Miles, Wayne Marshall | D Major | 1 | 10B | 134 BPM | ||
Hamnöy 1976 V | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM |
Section: 0.9029123783111572
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