William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny's 'Henry V (adapted by Christopher Palmer): VI. Agincourt' came out on April 27, 1998. Henry V (adapted by Christopher Palmer): VI. Agincourt appears to be safe for all ages as it is not explicit. This song is part of Walton: Henry V by William Walton, Andrew Penny. The song's track number on the album is #7 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Henry V (adapted by Christopher Palmer): VI. Agincourt's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Henry V (adapted by Christopher Palmer): VI. Agincourt by William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Henry V (adapted by Christopher Palmer): VI. Agincourt being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Little Book of Hours: VI. Singing Sun | Peter Sculthorpe, Elena Riu | B♭ Major | 0 | 6B | 79 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
Belshazzar's Feast: 5. Praise ye, the God of gold | William Walton, Bryn Terfel, L'Inviti, Waynflete Singers, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Andrew Litton | E Minor | 4 | 9A | 127 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 5, Andante tranquillo "The Lady and the Dragon" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 83 BPM | ||
Coronation Te Deum | William Walton, James Vivian, Polyphony, Wallace Collection, Stephen Layton | A Major | 2 | 11B | 75 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM |
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