George Gershwin, Royal Swedish Airforce Band, Jerker Johansson's 'Strike Up the Band (Arr. B. Warren for wind ensemble)' came out on April 16, 2006. The duration of Strike Up the Band (Arr. B. Warren for wind ensemble) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Strike Up the Band (Arr. B. Warren for wind ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Strike Up the Band! (GöteborgsMusiken)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Strike Up the Band (Arr. B. Warren for wind ensemble)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Strike Up the Band (Arr. B. Warren for wind ensemble) by George Gershwin, Royal Swedish Airforce Band, Jerker Johansson having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludes (arr. J. Heifetz): No. 1. Allegro ben ritmato e deciso | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | C Minor | 3 | 5A | 102 BPM | ||
Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
The Tale of Tsar Saltan: The Flight of the Bumble-bee | Nikolai Rimsky-Korsakov, Ludmila Peterková, Irina Kondratenko | G Minor | 1 | 6A | 169 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nurnberger Symphoniker | C Major | 9 | 8B | 85 BPM | ||
Piano Concerto in F Major: III. Allegro agitato | George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta | A♭ Major | 2 | 4B | 87 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM |
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