"The Dream of Gerontius, Op. 38, Part II: The sound is like the rushing of the wind (The Soul of Gerontius)" by Edward Elgar, Richard Hickox, London Symphony Orchestra, Arthur Davies had its release date on October 1, 1988. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 34 in Elgar: Dream Of Gerontius - Parry: Blest pair of sirens, I was glad by Edward Elgar, Richard Hickox, London Symphony Orchestra, Arthur Davies, Felicity Palmer, Gwynne Howell, Roderick elms, London Symphony Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Dream of Gerontius, Op. 38, Part II: The sound is like the rushing of the wind (The Soul of Gerontius) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dream of Gerontius, Op. 38, Part II: The sound is like the rushing of the wind (The Soul of Gerontius) by Edward Elgar, Richard Hickox, London Symphony Orchestra, Arthur Davies is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | B Minor | 1 | 10A | 62 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM |