"Debussy: L'Isle joyeuse, CD 109, L. 106" by Claude Debussy, Walter Gieseking was released on November 11, 2022. With this song being about 5 minutes long, at 5:01, "Debussy: L'Isle joyeuse, CD 109, L. 106" by Claude Debussy, Walter Gieseking is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 14 in Debussy: Images, Children's Corner, Masques & L'isle joyeuse by Claude Debussy, Walter Gieseking. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Debussy: L'Isle joyeuse, CD 109, L. 106 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: L'Isle joyeuse, CD 109, L. 106 by Claude Debussy, Walter Gieseking is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 127 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Carnival of the Animals: Aquarium | Camille Saint-Saëns, Isata Kanneh-Mason, Konya Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Adam Walker, Alasdair Malloy | A Minor | 0 | 8A | 70 BPM | ||
Le diable dans le beffroi, L. 101, Tableau 1 (Completed & Orchestrated by R. Orledge): Tableau 1: Bonjour, monsieur le haut-sonneur… (Bourgmestre, Haute-sonneur) | Claude Debussy, Eugene Villanueva, Michael Dries, Göttinger Symphonie Orchester, Christoph-Mathias Mueller | E Major | 1 | 12B | 83 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |
Section: 0.7492854595184326
End: 0.7535793781280518