"Ma mère l'oye, M. 60: III. Laideronnette, impératrice des Pagodes" by Maurice Ravel, Onyx Klavierduo was released on March 22, 2024. The duration of Ma mère l'oye, M. 60: III. Laideronnette, impératrice des Pagodes is about 3 minutes long, at 3:06. Based on our data, "Ma mère l'oye, M. 60: III. Laideronnette, impératrice des Pagodes" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Souvenirs". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Ma mère l'oye, M. 60: III. Laideronnette, impératrice des Pagodes is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ma mère l'oye, M. 60: III. Laideronnette, impératrice des Pagodes by Maurice Ravel, Onyx Klavierduo having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme of Chopin, Op. 22: Var. 21 in D-Flat Major. Andante – Più vivo | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | D♭ Minor | 0 | 12A | 75 BPM | ||
12 Études, Op. 25: No. 10 in B Minor "Octave" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Papillons, Op. 2: No. 5 in B-Flat Major | Robert Schumann, Marc-André Hamelin | B♭ Major | 0 | 6B | 74 BPM | ||
間奏曲 第1番 | Mari Kumamoto | E Minor | 0 | 9A | 136 BPM | ||
12 Études, Op. 10: No. 8 in F Major "Sunshine" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
24 Preludes: No. 16 in B-Flat Minor | Eduard Bagdasarian, Mikael Ayrapetyan | G Major | 1 | 9B | 66 BPM | ||
Piano Sonata No. 2 in G-Sharp Minor, Op. 19 "Sonata Fantasy": II. Presto | Alexander Scriabin, Mariangela Vacatello | D♭ Minor | 1 | 12A | 70 BPM | ||
Piano Sonata in F-Sharp Minor, D. 571 (Completed by G. Bruno): II. Scherzo. Allegro vivace, D. 570 | Franz Schubert, Giuseppe Bruno | F♯ Minor | 1 | 11A | 114 BPM | ||
Études d'exécution transcendante, S. 139: No. 1, Prélude (Presto) | Franz Liszt, Francesco Piemontesi | A Major | 1 | 11B | 139 BPM |
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