"Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana" by Arthur Benjamin, Gordon Hunt, Norrköping Symphony Orchestra was released on December 1, 2001. The duration of Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 16 in Elevazione - The Magic Of The Oboe by Gordon Hunt. In terms of popularity, Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana by Arthur Benjamin, Gordon Hunt, Norrköping Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerto grosso in B Minor, Op. 3/10, RV. 580: I. Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Michaela Comberti, Miles Golding, Jaap Ter Linden, The English Concert, Trevor Pinnock | B♭ Major | 3 | 6B | 72 BPM | ||
Fantasies: No. 3, Soldiers in the Distance | Arthur Benjamin, Caroline Almonte | D Minor | 0 | 7A | 115 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Flute Concerto No. 1 in G Major: III. Allegro spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | G Major | 2 | 9B | 117 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Concerto in A minor RV461 No.5 for oboe, strings and continuo: Larghetto | Antonio Vivaldi, Nicholas McGegan | C Major | 0 | 8B | 85 BPM | ||
Concerto for Violoncello and Orchestra, RV 416: III. Allegro | Antonio Vivaldi, Sol Gabetta, Andrés Gabetta | G Minor | 2 | 6A | 169 BPM | ||
Handel: Oboe Concerto in B-Flat Major, HWV 301: IV. Vivace | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 1 | 6B | 132 BPM | ||
Harp Concerto in G Major: III. Vivace | Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi | G Major | 1 | 9B | 77 BPM |
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