Kazuhito Yamashita made "Escarraman (after Cervantes), Op. 177 : III. El Villano" available on 2001. The duration of Escarraman (after Cervantes), Op. 177 : III. El Villano is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Escarraman (after Cervantes), Op. 177 : III. El Villano's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kazuhito Yamashita's "Mario Castelnuovo-Tedesco / Works for Guitar Solo Vol.1" album is number 5 out of 8. In terms of popularity, Escarraman (after Cervantes), Op. 177 : III. El Villano is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Escarraman (after Cervantes), Op. 177 : III. El Villano by Kazuhito Yamashita to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite populaire Brésilienne, W020: II. Schottish-chôro | Heitor Villa-Lobos, Mickael Viegas | A Major | 1 | 11B | 107 BPM | ||
Suite populaire Brésilienne, W020: III. Valsa-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 1 | 9A | 101 BPM | ||
Petronila | Antonio Lauro, Victor Villadangos | A Minor | 2 | 8A | 117 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Giuliani: Études for Guitar, Le papillon, Larghetto Op. 50, No. 7 | Mauro Giuliani, Elena Casoli | A Minor | 3 | 8A | 130 BPM | ||
Fantasia X | Alonso Mudarra, Alexander-Sergei Ramírez | D Major | 1 | 10B | 100 BPM | ||
Study | Mauro Giuliani, Adán Dominguez Linares | G Major | 0 | 9B | 113 BPM | ||
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 7. Estan calientes (They are hot) | Mario Castelnuovo-Tedesco, Zoran Dukic | C Major | 1 | 8B | 106 BPM | ||
Capricho Catalán | Isaac Albéniz, David Russell | E Minor | 1 | 9A | 91 BPM | ||
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 18. El sueno de la razon produce monstruos (The sleep of reason produces monsters) | Mario Castelnuovo-Tedesco, Zoran Dukic | D Minor | 1 | 7A | 107 BPM |
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