Mario Castelnuovo-Tedesco, Zoran Dukic made "Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 7. Estan calientes (They are hot)" available on March 31, 2009. The duration of Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 7. Estan calientes (They are hot) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 7. Estan calientes (They are hot)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 24 in Castelnuovo-Tedesco, M.: 24 Caprichos De Goya by Mario Castelnuovo-Tedesco, Zoran Dukic. In terms of popularity, Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 7. Estan calientes (They are hot) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 7. Estan calientes (They are hot) by Mario Castelnuovo-Tedesco, Zoran Dukic is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sea Murmurs (After. M. Castelnuovo-Tedesco) [Take 3] | Jascha Heifetz, Mario Castelnuovo-Tedesco, Unknown Artist | D♭ Major | 1 | 3B | 102 BPM | ||
Homenaje, "Le Tombeau de Claude Debussy" (version for guitar) | Manuel de Falla, Johannes Möller | F Major | 0 | 7B | 77 BPM | ||
Abdelazar Suite, Z. 570: II. Rondo (arr. B. Kanengiser) | Henry Purcell, Bill Kanengiser, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 92 BPM | ||
Ojos brujos (Bewitching Eyes) | Leo Brouwer, Marco Tamayo | A Minor | 0 | 8A | 84 BPM | ||
Torroba: Madroños | Carlos Bonell | E Major | 2 | 12B | 100 BPM | ||
The Urchins Down in the Meadow (Arr. O. Kalampalikis for Guitar) | Manos Hadjidakis, Elena Papandreou | A Minor | 0 | 8A | 67 BPM | ||
Preludios Epigramaticos: No. 1 | Leo Brouwer, Elena Papandreou | G Major | 0 | 9B | 116 BPM | ||
25 Etudes, Op. 38: No. 23 in A Major: Moderato | Napoléon Coste, Jeffrey McFadden | D Major | 2 | 10B | 119 BPM | ||
Prelude (for Olga) | Jorge Morel, Gerald Garcia | A Minor | 0 | 8A | 76 BPM | ||
Lieder ohne Worte (Songs without Words), Book 4, Op. 53: Song without Words, Op. 53, No. 4 | Felix Mendelssohn, Gerald Garcia | F Major | 0 | 7B | 110 BPM |
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