"VIII. Tijuca" by Orchestre National De France, Leonard Bernstein was released on March 6, 2006. The duration of VIII. Tijuca is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. VIII. Tijuca's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonard Bernstein's "Milhaud; La Création du Monde/ Le Boeuf sur le toit/ Saudades do Brasil" album is number 4 out of 6. In terms of popularity, VIII. Tijuca is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of VIII. Tijuca by Orchestre National De France, Leonard Bernstein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
L'enfant et les sortilèges, M. 71 / Pt. I: Musique d'insectes, de rainettes | Maurice Ravel, Orchestre National De France, Lorin Maazel | A Major | 1 | 11B | 119 BPM | ||
Pique Dame, Op. 68, TH. 10 / Act I: "Mesdemoiselles" | Pyotr Ilyich Tchaikovsky, Ewa Dobrowska, Orchestre National De France, Mstislav Rostropovich | B Major | 2 | 1B | 88 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
L'enfant et les sortilèges, M. 71 / Pt. I: How's Your Mug? | Maurice Ravel, Jeannine Collard, Michel Sénéchal, Orchestre National De France, Lorin Maazel | A Major | 1 | 11B | 119 BPM | ||
Holberg Suite, opus 40: Prelude (Allegro vivace) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 76 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Pique Dame, Op. 68, TH. 10 / Act I: "Ya imeni yeyo ne znayu" | Pyotr Ilyich Tchaikovsky, Peter Gougaloff, Dan Iordachescu, Orchestre National De France, Mstislav Rostropovich | B Major | 2 | 1B | 88 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM |
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