Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies made "Canzona prima a 4, canto alto tenor basso "sopra rugier"" available on January 1, 2004. The duration of Canzona prima a 4, canto alto tenor basso "sopra rugier" is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Canzona prima a 4, canto alto tenor basso "sopra rugier"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 21 in Frescobaldi: Canzoni by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies. Canzona prima a 4, canto alto tenor basso "sopra rugier" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Canzona prima a 4, canto alto tenor basso "sopra rugier" by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Sonata No. 7 in F Major: III. Allegro spiritoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 82 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Sonates sans basse: Sonata No. 2 in D Major, TWV 40:102: Dolce | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | D Major | 1 | 10B | 126 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Toccata Terza (No. 16) | Girolamo Frescobaldi, Adrien Pièce | D♭ Minor | 3 | 12A | 46 BPM | ||
Forqueray, A: Pèces de viole, Suite No. 5 en ut mineur: VII. Jupiter. Modérément | Antoine Forqueray, Jean Rondeau | G Major | 3 | 9B | 101 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM |
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