Johann Sebastian Bach, Eugene Drucker, Lawrence Dutton, David Finckel made "The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13b" available on January 1, 2003. The duration of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13b is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13b's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 22 in Bach, J.S.: The Art of Fugue - Emerson String Quartet by Johann Sebastian Bach, Emerson String Quartet. Based on our statistics, The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13b's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 13b by Johann Sebastian Bach, Eugene Drucker, Lawrence Dutton, David Finckel is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Cello Concerto in D Major, G. 476: II. Largo | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | E Minor | 1 | 9A | 74 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.7 in E flat major BWV852 | Daniel Barenboim | E♭ Major | 1 | 5B | 135 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Suite en La: La Fanfarinette | Jean-Philippe Rameau, Alexandre Tharaud | A Major | 0 | 11B | 67 BPM |
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