Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth's 'Kapitel 44.2 & Kapitel 45.1 - Wie Google tickt - How Google Works' came out on January 8, 2015. The duration of Kapitel 44.2 & Kapitel 45.1 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Kapitel 44.2 & Kapitel 45.1 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #95 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Kapitel 44.2 & Kapitel 45.1 - Wie Google tickt - How Google Works is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since Kapitel 44.2 & Kapitel 45.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 44.2 & Kapitel 45.1 - Wie Google tickt - How Google Works being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes | Wolfgang Amadeus Mozart, Kiri Te Kanawa, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 82 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt | A♭ Major | 10 | 4B | 154 BPM | ||
Aaria, Kun Herra Kulkee Pyhään Kaupunkiin | Markku Liukkonen | C Minor | 2 | 5A | 137 BPM | ||
Mono Chant | Erich Kunzel, Cincinnati Pops Orchestra, May Festival Chorus, Janet Stubbs | D Major | 1 | 10B | 126 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Major | 1 | 9B | 145 BPM | ||
Messa di Gloria: Agnus Dei | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | F Major | 2 | 7B | 131 BPM | ||
Già il sole dal Gange | Alessandro Scarlatti, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Cavalleria Rusticana: Intermezzo Sinfonico | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock | E♭ Major | 1 | 5B | 76 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
Requiem: Mors stupebit | Xavier Benguerel, Cor de Cambra del Palau de la Musica Catalana, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Dalmau González, Lluís Sintes, Maribel Ortega, Marisa Martins, Matteo Suk, Miquel Ortega | D Major | 1 | 10B | 80 BPM |
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