Johann Sebastian Bach, Wilhelm Kempff, Idil Biret's 'Ich rufe zu dir, Herr Jesus Christus, BWV 639 (trans. W. Kempff)' came out on May 20, 1992. The duration of Ich rufe zu dir, Herr Jesus Christus, BWV 639 (trans. W. Kempff) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Ich rufe zu dir, Herr Jesus Christus, BWV 639 (trans. W. Kempff)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wilhelm Kempff, Idil Biret's "Kempff: Italian Suite / Piano Sonata / Transcriptions" album is number 11 out of 20. In terms of popularity, Ich rufe zu dir, Herr Jesus Christus, BWV 639 (trans. W. Kempff) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ich rufe zu dir, Herr Jesus Christus, BWV 639 (trans. W. Kempff) by Johann Sebastian Bach, Wilhelm Kempff, Idil Biret to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Var. 29 | Johann Sebastian Bach, Glenn Gould | G Major | 3 | 9B | 93 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | F Major | 2 | 7B | 83 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - Live at Konzerthaus Berlin / 2018 | Ludwig van Beethoven, Jan Lisiecki, Academy of St. Martin in the Fields, Tomo Keller | B Major | 0 | 1B | 84 BPM |
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