Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz's 'Violin Concerto in A Major, Op. 7 No. 1: III. Allegro moderato' came out on June 9, 2023. Violin Concerto in A Major, Op. 7 No. 1: III. Allegro moderato is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Saint-Georges: Violin Concertos, Opp. 2 & 7". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Violin Concerto in A Major, Op. 7 No. 1: III. Allegro moderato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Violin Concerto in A Major, Op. 7 No. 1: III. Allegro moderato by Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, Eisen G17: II. Andante | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 1 | 6B | 173 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 133 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): III. Adagio | Charles Avison, I Musici | D Minor | 0 | 7A | 168 BPM | ||
Cello Sonata No. 5 in E minor, RV 40 - II. Allegro | The Baroque Coterie | E Minor | 1 | 9A | 105 BPM | ||
Concerto in D Major, Op. 4, No. 7: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 2 | 12B | 97 BPM | ||
Oboe d'amore Concerto in D Major: I. Grave | Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 80 BPM | ||
Cello Sonata No. 1 in D Minor: III. Largo | Alessandro Scarlatti, Ophélie Gaillard, Pulcinella Orchestra | A Major | 4 | 11B | 123 BPM | ||
L'amant anonyme, Ouverture: Overture: III. Presto | Joseph Boulogne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon | D Major | 1 | 10B | 104 BPM | ||
L'amant anonyme: Contredanse | Joseph Boulogne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Minor | 1 | 1A | 112 BPM | ||
Violin Concerto in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Leonidas Kavakos, The Apollon Ensemble | F♯ Minor | 4 | 11A | 118 BPM |
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