"Do Not Scold Me" by Alexander Diubiuk, Valentina Levko, Osipov State Russian Folk Orchestra, Sergei Kolobkov was released on April 1, 2013. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Valentina Levko: Star of the Bolshoi by Modest Mussorgsky, Valentina Levko, Bolshoi Theatre Orchestra, Osipov State Russian Folk Orchestra, Kurt Masur, Alexander Lazarev, Gennady Rozhdestvensky, Boris Khaikin, Vladimir Fedoseyev, Yuri Silantyev, Mark Ermler, Kirill Kondrashin, Various Solists. The song's track number on the album is #118 out of 176 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Do Not Scold Me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Do Not Scold Me by Alexander Diubiuk, Valentina Levko, Osipov State Russian Folk Orchestra, Sergei Kolobkov has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Do Not Scold Me being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
La Chulapona: "Como Soy Chulapona" | Teresa Berganza | G Major | 3 | 9B | 120 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Finale. "Through the House" | Felix Mendelssohn, Otto Klemperer, Heather Harper, The Philharmonia Chorus, Philharmonia Orchestra | E♭ Major | 2 | 5B | 90 BPM | ||
Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
H.M.S. Pinafore, Act I: A Maiden Fair to See | Gilbert & Sullivan Society of Houston | C Major | 3 | 8B | 129 BPM | ||
Meine Lippen, die küssen so heiss | Franz Lehár, Anna Netrebko | E Major | 2 | 12B | 83 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
Caro Nome - Live | André Rieu, Johann Strauss Orchestra, Micaëla Oeste | C Major | 10 | 8B | 127 BPM | ||
La Vergine degli angeli | Lesley Garrett, Ivor Bolton, Britten Sinfonia | C Major | 2 | 8B | 129 BPM | ||
Psalm 42, Op. 42, MWV A15: Recitative: Mein Gott, betrubt ist (Soprano) | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 2 | 10B | 130 BPM |
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