Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.18 in G sharp minor BWV863' came out on 2004. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 36 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. In terms of popularity, Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.18 in G sharp minor BWV863 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.18 in G sharp minor BWV863 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): IV. Larghetto | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 137 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Daniel Barenboim | D♭ Major | 0 | 3B | 179 BPM | ||
6 Pieces for Organ: No. 3. Prelude, fugue et variation in B Minor, Op. 18, M. 30 (arr. I. Friedman for piano) | Ignaz Friedman, César Franck, Joseph Banowetz | B Minor | 0 | 10A | 179 BPM | ||
Suite No. 3 in D Minor, HWV 428: III. Allemande | George Frideric Handel, Murray Perahia | D Minor | 0 | 7A | 121 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Concerto in D Minor, RV 535: III. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM |
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