Juan Vazquez, Teresa Berganza, Narciso Yepes's 'Vos me matastes' came out on January 1, 2005. The duration of Vos me matastes is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Vos me matastes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 105 in Brava Berganza by Teresa Berganza. In terms of popularity, Vos me matastes is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vos me matastes by Juan Vazquez, Teresa Berganza, Narciso Yepes is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
En la fuente del rosel | Juan Vazquez, Teresa Berganza, Narciso Yepes | A Major | 2 | 11B | 105 BPM | ||
Membra Jesu nostri, BuxWV 75: VId. Ad cor: Viva cordis, voce clamo | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
A Sonata of Scots Tunes: O Mother what shall I do - Ettrick Banks - She Rose and let me in | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 1 | 3B | 87 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Armide, LWV 71, Act I Scene 3: Entrée | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Rinaldo / Act 1: Aria: Sovra balze | George Frideric Handel, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 107 BPM | ||
Celebrate This Festival, Z.321 (Birthday Ode for Queen Mary): "Crown The Altar, Deck The Shrine" | Henry Purcell, Emma Kirkby, Anthony Rooley | B♭ Minor | 0 | 3A | 106 BPM |
Section: 0.5281121730804443
End: 0.5331687927246094