Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Christian Drescher, Hans Schadenbauer made "Alt Wien - Lied aus der Operette "Herr und Frau Biedermeier", op.544" available on March 16, 2017. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 16 in Alt Wien Ziehrer Edition Vol.24 by Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Ekaterina Michailova, Christian Drescher. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Alt Wien - Lied aus der Operette "Herr und Frau Biedermeier", op.544 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Alt Wien - Lied aus der Operette "Herr und Frau Biedermeier", op.544 by Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Christian Drescher, Hans Schadenbauer is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
Choir | Modern Symphonics | D♭ Major | 10 | 3B | 108 BPM | ||
Suite: Ring Round the Moon: VIII. Galop | Richard Addinsell, BBC Concert Orchestra | D Major | 2 | 10B | 138 BPM | ||
Kaiser Maximilian Marsch | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | E♭ Major | 2 | 5B | 92 BPM | ||
Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Song Without Words | Eric Hammerstein, London Promenade Orchestra | F Major | 3 | 7B | 81 BPM | ||
Humoresque in G-Flat Major, Op. 101, B. 187 | Antonín Dvořák, Prague Symphony Orchestra, Václav Smetáček | B Major | 0 | 1B | 168 BPM | ||
Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
Grainger: Mock Morris, "Room Music Tit-Bits, No. 1" (At fast jog trotting speed) | Percy Grainger, Sir Vivian Dunn, Light Music Society Orchestra | G Major | 2 | 9B | 92 BPM |
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