Max Bruch, Duo Dauenhauer Kuen's 'Lieder und Gesänge, Op. 49: No. 4, Serenade (Arr. for Violin & Piano by Anna Sophie Dauenhauer & Lukas Maria Kuen)' came out on June 26, 2023. The duration of Lieder und Gesänge, Op. 49: No. 4, Serenade (Arr. for Violin & Piano by Anna Sophie Dauenhauer & Lukas Maria Kuen) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Lieder und Gesänge, Op. 49: No. 4, Serenade (Arr. for Violin & Piano by Anna Sophie Dauenhauer & Lukas Maria Kuen)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 31 in Bruch: Swedish & Russian Dances by Max Bruch, Duo Dauenhauer Kuen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Lieder und Gesänge, Op. 49: No. 4, Serenade (Arr. for Violin & Piano by Anna Sophie Dauenhauer & Lukas Maria Kuen) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lieder und Gesänge, Op. 49: No. 4, Serenade (Arr. for Violin & Piano by Anna Sophie Dauenhauer & Lukas Maria Kuen) by Max Bruch, Duo Dauenhauer Kuen is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In D, Op. 61: 2. Larghetto - | Ludwig van Beethoven, Vadim Repin, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 74 BPM | ||
Ladies in Lavender | Nigel Hess, Joshua Bell, Royal Philharmonic Orchestra | D Major | 2 | 10B | 84 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Serenade in A Minor, Op. 75: I. Andante con moto | Max Bruch, Antje Weithaas, NDR Radiophilharmonie, Hermann Bäumer | D Minor | 0 | 7A | 84 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di Menuetto | Wolfgang Amadeus Mozart, Arabella Steinbacher, Daniel Dodds, Lucerne Festival Strings, Festival Strings Lucerne (musical direction) | A Major | 1 | 11B | 118 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM |
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