Johann Friedrich Fasch, Veronika Winter, David Erler, Tobias Hunger, Matthias Vieweg, Rheinische Kantorei, Das Kleine Konzert, Hermann Max made "Mass in G Major, Gloria: IV. Gloria in excelsis Deo" available on November 2, 2018. With Mass in G Major, Gloria: IV. Gloria in excelsis Deo being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 35 in Fasch: Mass in G Major, Overture in A Major, & Ich danke dem Herrn von ganzem Herzen by Johann Friedrich Fasch, Das Kleine Konzert, Hermann Max. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mass in G Major, Gloria: IV. Gloria in excelsis Deo is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mass in G Major, Gloria: IV. Gloria in excelsis Deo by Johann Friedrich Fasch, Veronika Winter, David Erler, Tobias Hunger, Matthias Vieweg, Rheinische Kantorei, Das Kleine Konzert, Hermann Max is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In D Major, TWV 55:D15: VII. Gigue | Cologne Chamber Orchestra, Georg Philipp Telemann | A Major | 2 | 11B | 118 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM | ||
Concerto in F Major, Seibel 234: 4. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Oboe Concerto in F major after BWV 49 & 169: Siciliano | Johann Sebastian Bach, Hans-Peter Westermann | D Major | 2 | 10B | 107 BPM | ||
Airs for the Spring: Crocus: II. Allegro assai | James Oswald, The Broadside Band | D♭ Minor | 3 | 12A | 103 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Oboe Concerto in G Minor: Largo | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 1 | 7A | 82 BPM | ||
Concerto in C Minor for Bassoon, 2 Oboes & Strings - Part. 3 (Fasch) | Pietro Locatelli, Johann Friedrich Fasch, Dominic Teresi, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 2 | 10A | 96 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM |
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