Antonio Vivaldi, Angelo Cicillini, Luca Venturi, Orfeo Ensemble, L', Fabrizio Ammetto's 'Concerto for 2 Violins in B-Flat Major, RV 528: II. Largo (Reconstructed by F. Ammetto)' came out on October 1, 2012. The duration of Concerto for 2 Violins in B-Flat Major, RV 528: II. Largo (Reconstructed by F. Ammetto) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Concerto for 2 Violins in B-Flat Major, RV 528: II. Largo (Reconstructed by F. Ammetto)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Concerto per 2 violini, archi & basso continuo by Antonio Vivaldi, Angelo Cicillini, Luca Venturi, Fabrizio Ammetto. The song's track number on the album is #17 out of 21 tracks. Based on our data, Italy was the country where this track was produced or recorded. Based on our statistics, Concerto for 2 Violins in B-Flat Major, RV 528: II. Largo (Reconstructed by F. Ammetto)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto for 2 Violins in B-Flat Major, RV 528: II. Largo (Reconstructed by F. Ammetto) by Antonio Vivaldi, Angelo Cicillini, Luca Venturi, Orfeo Ensemble, L', Fabrizio Ammetto has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto for 2 Violins in B-Flat Major, RV 528: II. Largo (Reconstructed by F. Ammetto) being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | A Major | 0 | 11B | 86 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Sinfonia in E major, RV 132: I. Allegro | Karoly Botvay | E Major | 1 | 12B | 108 BPM | ||
Swan Lake Suite, Op. 20: Scène | London Philharmonic Orchestra | E Minor | 3 | 9A | 77 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM |
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