"String Quartet No. 3 in A Major, Op. 41 No. 3: III. Adagio molto" by Robert Schumann, Emerson String Quartet was released on October 23, 2020. Since String Quartet No. 3 in A Major, Op. 41 No. 3: III. Adagio molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "R. Schumann: String Quartets Nos. 1-3, Op. 41". In this album, this song's track order is #11. In terms of popularity, String Quartet No. 3 in A Major, Op. 41 No. 3: III. Adagio molto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 3 in A Major, Op. 41 No. 3: III. Adagio molto by Robert Schumann, Emerson String Quartet having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Spanische Liebeslieder, Op. 138: 2. Tief im Herzen trag' ich Pein | Robert Schumann, Emanuel Geibel, Sibylla Rubens, Gerold Huber, James Cheung | G Minor | 0 | 6A | 72 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Chopin: Waltz No. 11 in G-Flat Major, Op. Posth. 70 No. 1 | Frédéric Chopin, Cyprien Katsaris | F♯ Major | 1 | 2B | 83 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Spanische Liebeslieder, Op. 138: 3. O wie lieblich ist das Mädchen | Robert Schumann, Emanuel Geibel, Martin Mitterrutzner, Gerold Huber, James Cheung | B♭ Major | 1 | 6B | 112 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM |
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