"Piano Trio in A Minor, Op. 50, TH 117: I. Pezzo elegiaco. Moderato assai - Allegro giusto" by Pyotr Ilyich Tchaikovsky, Hanako Uesato, Wataru Mukai, Kazumasa Matsumoto was released on August 18, 2017. Piano Trio in A Minor, Op. 50, TH 117: I. Pezzo elegiaco. Moderato assai - Allegro giusto appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Tchaikovsky: Piano Trio, Op. 50". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Japan. In terms of popularity, Piano Trio in A Minor, Op. 50, TH 117: I. Pezzo elegiaco. Moderato assai - Allegro giusto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio in A Minor, Op. 50, TH 117: I. Pezzo elegiaco. Moderato assai - Allegro giusto by Pyotr Ilyich Tchaikovsky, Hanako Uesato, Wataru Mukai, Kazumasa Matsumoto having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Swan Lake, Op. 20, Pt. 2: IV. Danses des petits cygnes | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Nicolae Moldoveanu | F♯ Minor | 0 | 11A | 109 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM |
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