"The Musical Offering, BWV 1079, Canones diversi super Thema Regium: The Musical Offering, BWV 1079, Canones diversi super Thema Regium: (Canon) 4 a 2 per Augmentationem, contrario Motu" by Johann Sebastian Bach, Ricercar Consort, Maude Gratton, François Fernandez, Marc Hantaï, Philippe Pierlot was released on February 9, 2015. The duration of The Musical Offering, BWV 1079, Canones diversi super Thema Regium: The Musical Offering, BWV 1079, Canones diversi super Thema Regium: (Canon) 4 a 2 per Augmentationem, contrario Motu is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The Musical Offering, BWV 1079, Canones diversi super Thema Regium: The Musical Offering, BWV 1079, Canones diversi super Thema Regium: (Canon) 4 a 2 per Augmentationem, contrario Motu's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 16 in Bach: The Musical Offering, BWV 1079 by Johann Sebastian Bach, Marc Hantaï, François Fernandez, Philippe Pierlot, Ricercar Consort, Maude Gratton. Based on our statistics, The Musical Offering, BWV 1079, Canones diversi super Thema Regium: The Musical Offering, BWV 1079, Canones diversi super Thema Regium: (Canon) 4 a 2 per Augmentationem, contrario Motu's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Musical Offering, BWV 1079, Canones diversi super Thema Regium: The Musical Offering, BWV 1079, Canones diversi super Thema Regium: (Canon) 4 a 2 per Augmentationem, contrario Motu by Johann Sebastian Bach, Ricercar Consort, Maude Gratton, François Fernandez, Marc Hantaï, Philippe Pierlot is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM |
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