"Die Walküre - Erster Tag des Bühnenfestspiels "Der Ring des Nibelungen" / Erster Aufzug: Du bist der Lenz" by Richard Wagner, Jessye Norman, Metropolitan Opera Orchestra, James Levine was released on January 1, 2002. The duration of Die Walküre - Erster Tag des Bühnenfestspiels "Der Ring des Nibelungen" / Erster Aufzug: Du bist der Lenz is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Die Walküre - Erster Tag des Bühnenfestspiels "Der Ring des Nibelungen" / Erster Aufzug: Du bist der Lenz's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #11 out of 140 tracks. Based on our data, Germany was the country where this track was produced or recorded. Die Walküre - Erster Tag des Bühnenfestspiels "Der Ring des Nibelungen" / Erster Aufzug: Du bist der Lenz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre - Erster Tag des Bühnenfestspiels "Der Ring des Nibelungen" / Erster Aufzug: Du bist der Lenz by Richard Wagner, Jessye Norman, Metropolitan Opera Orchestra, James Levine has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Walküre - Erster Tag des Bühnenfestspiels "Der Ring des Nibelungen" / Erster Aufzug: Du bist der Lenz being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Frisch weht der Wind der Heimat zu" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Peter Schreier, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 1 | 8B | 78 BPM | ||
Sanctus | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | F Major | 3 | 7B | 114 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 80 BPM |
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