Ryo Noda, Koryun Asatryan made "Mai" available on January 1, 2014. Since Mai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 13 in Fortezza by Koryun Asatryan, Enrique Ugarte. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Mai is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mai by Ryo Noda, Koryun Asatryan is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Mad Dog (2011) for Ensemble: I. Incalzante - Live | Bernd Richard Deutsch, Klangforum Wien, Enno Poppe | G Major | 3 | 9B | 104 BPM | ||
Kauyumari | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel | D Minor | 1 | 7A | 74 BPM | ||
Iridescence | Jörgen Dafgård, Anders Paulsson | D Major | 1 | 10B | 80 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Fatal Disasters | Daniel Herskedal | B♭ Major | 0 | 6B | 68 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Violin Concerto No. 2 "The American Four Seasons": Song No. 1 | Delirium Musicum, Étienne Gara | A Minor | 0 | 8A | 95 BPM | ||
Symphony No. 6, Op. 62: III. Finale. Vivo - L'istesso tempo. Alla valse | Matthew Taylor, BBC National Orchestra Of Wales | D Major | 0 | 10B | 83 BPM | ||
Bamboo Grove | Richard Stoltzman, Nexus | B Major | 2 | 1B | 80 BPM |
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