Arts Music Recording, Rotterdam, Johann Sebastian Bach, Pieter-Jan Belder's 'Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 9, Canone Alla Terza' came out on December 22, 2006. The duration of Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 9, Canone Alla Terza is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 9, Canone Alla Terza's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 32 in Bach Edition Vol. 3, Keyboard Works Vol. I Part: 11 by Arts Music Recording, Rotterdam. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 9, Canone Alla Terza is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 9, Canone Alla Terza by Arts Music Recording, Rotterdam, Johann Sebastian Bach, Pieter-Jan Belder is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Quintet No. 4 In D-Major For Strings And Guitar ("Fandango"), (G. 448): 2. Allegro Maestoso | Luigi Boccherini, Rolf Lislevand | A Major | 1 | 11B | 76 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Premier livre de pieces de clavecin - Troisième Suite: Le coucou | Louis-Claude Daquin, George Malcolm | E Minor | 3 | 9A | 122 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Sonatas Volume I: K 20 In E Major: Presto | Arts Music Recording, Rotterdam, Domenico Scarlatti, Pieter-Jan Belder | D♭ Major | 4 | 3B | 98 BPM | ||
Concerto for Oboe in F Major, Op. 52: III. Rondo: Allegretto | Franz Krommer, Heinz Holliger, English Chamber Orchestra | F Major | 2 | 7B | 148 BPM | ||
Pictures At An Exhibition: Promenade-ballet Of The Unhatched Chicken | Arts Music Recording, Rotterdam, Alexander Warenberg, Modest Mussorgsky | F Major | 1 | 7B | 94 BPM |
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