"Iste Confessor" by Domenico Scarlatti, Le Palais royal, Jean-Philippe Sarcos, Thaïs Raï-Westphal was released on March 22, 2024. The duration of Iste Confessor is about 3 minutes long, at 3:28. Based on our data, "Iste Confessor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Paradisi Gloria (Scarlatti, Rubino, Lotti, Vivaldi)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Iste Confessor is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Iste Confessor by Domenico Scarlatti, Le Palais royal, Jean-Philippe Sarcos, Thaïs Raï-Westphal having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Drei motetten, Op. 110: I. Ich aber bin elend | Johannes Brahms, Tenebrae, Nigel Short | G Major | 2 | 9B | 83 BPM | ||
Evening Prayer | Joanna Marsh, Lancelot Andrewes, The Choir of Magdalen College, Oxford, Mark Williams | B♭ Minor | 1 | 3A | 69 BPM | ||
Elijah, Op. 70, MWV A 25 (Excerpts): No. 36, Gehe wiederum hinab! | Felix Mendelssohn, Jusung Gabriel Park, Munich Radio Orchestra, Bavarian Radio Chorus, Howard Arman | D Major | 2 | 10B | 97 BPM | ||
Eastertimei Psalm | James Chepponis, St. Mary's Adult Choir, John J. Miller | D Major | 3 | 10B | 84 BPM | ||
Speak to My Heart | Jakarta Oratorio Society | E Major | 5 | 12B | 132 BPM | ||
Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
Jehova, quam multi sunt hostes mei, Z. 135 | Henry Purcell, Francis Williams, Thomas Lynch, Westminster Kantorei, Daniel Boring, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 89 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM |
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