"Six Pieces for Piano, Volume 2: No. 4 La Valse d'Amélie" by Lang Lang was released on February 8, 2019. The duration of Six Pieces for Piano, Volume 2: No. 4 La Valse d'Amélie is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Six Pieces for Piano, Volume 2: No. 4 La Valse d'Amélie's duration is considered a little bit shorter than the average duration of a typical track. Since Tiersen: Six Pieces for Piano, Volume 2: 4. La Valse d'Amélie only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Six Pieces for Piano, Volume 2: No. 4 La Valse d'Amélie is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six Pieces for Piano, Volume 2: No. 4 La Valse d'Amélie by Lang Lang having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Carnival of the Animals: Aquarium | Camille Saint-Saëns, Isata Kanneh-Mason, Konya Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Adam Walker, Alasdair Malloy | A Minor | 0 | 8A | 70 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands) | Camille Saint-Saëns, Lang Lang | A Minor | 1 | 8A | 126 BPM |
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