Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands) - Camille Saint-Saëns, Lang Lang Information

Acousticness: 98%
Danceability: 39%
Energy: 10%
Instrumentalness: 84%
Liveness: 8%
Loudness: 61%
Speechiness: 4%
Valence: 5%
Popularity: 0%
Loudness: -23.435 dB

Summary

"Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands)" by Camille Saint-Saëns, Lang Lang was released on February 9, 2024. The duration of Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands) is about 3 minutes long, at 3:14. Based on our data, "Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Saint-Saëns: Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands) BPM

With Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands) by Camille Saint-Saëns, Lang Lang having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands) Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Trio No. 2 in E-Flat Major, D. 929: II. Andante con moto - Arr. for Harp, Violin and Cello by Anja Linder	Anja Linder, Julie Sévilla-Fraysse, Laurent Korcia	C Minor	0	5A	93 BPM
Concerto in D Minor: II. Adagio	Alessandro Marcello, Miloš Karadaglić, Jonathan Cohen, Arcangelo	D Minor	0	7A	144 BPM
Suite in D Minor: I. Arpeggiata (Arr. for Guitar by Michael Lewin)	Carl Friedrich Abel, Miloš Karadaglić	E Minor	2	9A	99 BPM
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano)	Antonín Dvořák, Peter Breiner	A Minor	0	8A	108 BPM
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig	Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields	G Major	2	9B	151 BPM
Prelude	William Alwyn, Ashley Wass	E Minor	0	9A	170 BPM
Carnival of the Animals, R. 125: IX. The Cuckoo in the Depths of the Woods	Camille Saint-Saëns, Lang Lang, Gina Alice, Andreas Lehnert, Andris Nelsons	C Major	4	8B	103 BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Tarentelle, Op. 6: Tarantelle, Op. 6	Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin	G Major	1	9B	91 BPM
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM

ISRC: DEN962302780
Label: L-M Records/RCA Records

Section: 0.573993444442749

End: 0.5780632495880127