Göran Söllscher, Patrick Gallois, Astor Piazzolla's 'Histoire du Tango (pour flûte et guitare): N°.4 Concert d'aujourd'hui' came out on January 1, 1996. The duration of Histoire du Tango (pour flûte et guitare): N°.4 Concert d'aujourd'hui is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Histoire du Tango (pour flûte et guitare): N°.4 Concert d'aujourd'hui's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Piazzolla: L'Histoire du Tango". In this album, this song's track order is #4. Based on our statistics, Histoire du Tango (pour flûte et guitare): N°.4 Concert d'aujourd'hui's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Histoire du Tango (pour flûte et guitare): N°.4 Concert d'aujourd'hui by Göran Söllscher, Patrick Gallois, Astor Piazzolla having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses nobles, D 969 (Op.77): Valse No.4 | Franz Schubert, Gil Shaham, Göran Söllscher | C Major | 1 | 8B | 82 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D Major, RV 93: III. Allegro | Antonio Vivaldi, Göran Söllscher, Camerata Bern, Thomas Füri | D Major | 2 | 10B | 68 BPM | ||
Intabolatura de lauto: Fantasia XI in F | Francesco da Milano, Göran Söllscher | F Major | 3 | 7B | 93 BPM | ||
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM |
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