Enrico Caruso's '6 Romances, Op. 38: No. 1, Don Juan's Serenade' came out on March 17, 1903. The duration of 6 Romances, Op. 38: No. 1, Don Juan's Serenade is about 3 minutes long, at 3:03. Based on our data, "6 Romances, Op. 38: No. 1, Don Juan's Serenade" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Enrico Caruso's "L'incredibile Enrico Caruso" album is number 7 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, 6 Romances, Op. 38: No. 1, Don Juan's Serenade is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Romances, Op. 38: No. 1, Don Juan's Serenade by Enrico Caruso to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 3: Duett: "Lippen schweigen" | Franz Lehár, Ingeborg Hallstein, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | G Major | 2 | 9B | 87 BPM | ||
Pilgrims' Chorus | Richard Wagner, Leopold Stokowski | E♭ Major | 2 | 5B | 86 BPM | ||
Rachel, quand du Seigneur | Fromental Halévy, Enrico Caruso | D♭ Major | 1 | 3B | 68 BPM | ||
Lucia di Lammermoor, Act II: Sextet: Chi mi frena in tal momento | Gaetano Donizetti, Enrico Caruso, Amelita Galli-Curci, Giuseppe De Luca, Minnie Egener, Marcel Journet, Angelo Badà, Victor Orchestra, Josef Pasternack | C Major | 3 | 8B | 77 BPM | ||
Don Giovanni, K. 527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Fernando Corena, Wiener Philharmoniker, Josef Krips | D Major | 2 | 10B | 83 BPM | ||
Gounod: Faust, Act 4: "Gloire immortelle" (Chorus) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
GODFATHER, THE - Tarantella | Raine, The City of Prague Philharmonic Orchestra | A♭ Major | 4 | 4B | 123 BPM | ||
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track | Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | F Major | 3 | 7B | 137 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Act III: E lucevan le stelle | Giacomo Puccini, Enrico Caruso | B Minor | 2 | 10A | 84 BPM |
Section: 0.8671553134918213
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