Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra's 'Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf' came out on May 2, 1978. With Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf by Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Scherzo No. 1 in B Minor, Op. 20: Scherzo No.1 in B Minor, Op. 20 | Frédéric Chopin, Ivo Pogorelich | B Minor | 1 | 10A | 126 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM |
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