"Seasons in Hell: Act II: Autumn Already!" by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel was released on October 1, 1997. The duration of Seasons in Hell: Act II: Autumn Already! is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Seasons in Hell: Act II: Autumn Already!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Seasons in Hell: Act II: Autumn Already! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seasons in Hell: Act II: Autumn Already! by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: Swaz hie gat umbe | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | C Major | 0 | 8B | 130 BPM | ||
Carmina Burana: III. Veris leta facies | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 127 BPM | ||
Rusalka, Op. 114 / Act 3: Bílá moje lani! Bílá moje lani! | Antonín Dvořák, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Minor | 4 | 10A | 80 BPM | ||
The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 106 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | G Major | 0 | 9B | 100 BPM | ||
Let us garlands bring, Op. 18: O Mistress Mine | Gerald Finzi, Roderick Williams, Iain Burnside | A♭ Major | 1 | 4B | 102 BPM | ||
Ma mère l'oye, M.60: II. Danse du Rouet | Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France | F Minor | 0 | 4A | 103 BPM | ||
Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
Requiem, Op. 9: VIII. Libera Me (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | F♯ Minor | 1 | 11A | 104 BPM |
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