St. Matthew Passion, BWV 244: No.16, Chorale, 'Ich bin's, ich sollte bussen'
Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker
J.S. Bach: St. Matthew Passion
1:33 May 13, 2013
BPM
99
Key
A♭ Major
Camelot
4B

Embed

Share Link

St. Matthew Passion, BWV 244: No.16, Chorale, 'Ich bin's, ich sollte bussen' - Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker Information

Acousticness
98%
Danceability
25%
Energy
13%
Instrumentalness
93%
Liveness
12%
Loudness
65%
Speechiness
3%
Valence
10%
Popularity
Loudness
-20.839 dB

Summary

"St. Matthew Passion, BWV 244: No.16, Chorale, 'Ich bin's, ich sollte bussen'" by Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker was released on May 13, 2013. With St. Matthew Passion, BWV 244: No.16, Chorale, 'Ich bin's, ich sollte bussen' being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Otto Klemperer's "J.S. Bach: St. Matthew Passion" album is number 16 out of 78. In terms of popularity, St. Matthew Passion, BWV 244: No.16, Chorale, 'Ich bin's, ich sollte bussen' is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

St. Matthew Passion, BWV 244: No.16, Chorale, 'Ich bin's, ich sollte bussen' BPM

We consider the tempo marking of St. Matthew Passion, BWV 244: No.16, Chorale, 'Ich bin's, ich sollte bussen' by Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

St. Matthew Passion, BWV 244: No.16, Chorale, 'Ich bin's, ich sollte bussen' Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio by Tomaso Albinoni, Capella Istropolitana, Jaroslav KrcekSonata a 5 in G Minor, Op. 2, No. 6: I. AdagioTomaso Albinoni, Capella Istropolitana, Jaroslav KrcekC Minor15A147 BPM
Flute Concerto No. 1 in G Major: I. Spiritoso by Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl MünchingerFlute Concerto No. 1 in G Major: I. SpiritosoGiovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl MünchingerD Major210B112 BPM
Violin Partita No. 3 in E Major, BWV 1006: II. Loure by Johann Sebastian Bach, Hilary HahnViolin Partita No. 3 in E Major, BWV 1006: II. LoureJohann Sebastian Bach, Hilary HahnD♭ Minor112A133 BPM
Violin Concerto in A Minor, BWV 1041: II. Andante by Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-BruhlViolin Concerto in A Minor, BWV 1041: II. AndanteJohann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-BruhlC Major18B74 BPM
Rondo in D Minor, Wq. 61/4, H. 290 by Carl Philipp Emanuel Bach, Christopher HinterhuberRondo in D Minor, Wq. 61/4, H. 290Carl Philipp Emanuel Bach, Christopher HinterhuberB♭ Major16B135 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
Jeux d'enfants, Op. 22 WD 56: 3. La poupée by Georges Bizet, Katia Labèque, Marielle LabèqueJeux d'enfants, Op. 22 WD 56: 3. La poupéeGeorges Bizet, Katia Labèque, Marielle LabèqueB Major01B64 BPM
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo by Christoph Willibald Gluck, Yuja WangOrfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'OrfeoChristoph Willibald Gluck, Yuja WangD Minor07A70 BPM
Dido and Aeneas, Z. 626: Overture by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleDido and Aeneas, Z. 626: OvertureHenry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleB Minor210A91 BPM
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio by Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav KrcekConcerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: AdagioFrancesco Onofrio Manfredini, Capella Istropolitana, Jaroslav KrcekC Major38B114 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7410762310028076

End: 0.7449843883514404