Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, José van Dam, Kathleen Battle, Agnes Baltsa, Francisco Araiza's 'Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Sani e salvi agli amplessi amorosti (Ferrando/Guglielmo/Don Alfonso/Fiordiligi/Dorabella/Despina)' came out on August 2, 2013. The duration of Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Sani e salvi agli amplessi amorosti (Ferrando/Guglielmo/Don Alfonso/Fiordiligi/Dorabella/Despina) is about 3 minutes long, at 3:02. Based on our data, "Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Sani e salvi agli amplessi amorosti (Ferrando/Guglielmo/Don Alfonso/Fiordiligi/Dorabella/Despina)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 12 out of 214. In terms of popularity, Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Sani e salvi agli amplessi amorosti (Ferrando/Guglielmo/Don Alfonso/Fiordiligi/Dorabella/Despina) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Sani e salvi agli amplessi amorosti (Ferrando/Guglielmo/Don Alfonso/Fiordiligi/Dorabella/Despina) by Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, José van Dam, Kathleen Battle, Agnes Baltsa, Francisco Araiza to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live | Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
Sonfonia Concertante in E-Flat, K. 364: 2. Andante | Wolfgang Amadeus Mozart, Richard Studt, Nodar Jvania, Terence Frazor, Bournemouth Sinfonietta | C Minor | 1 | 5A | 81 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | A Major | 0 | 11B | 86 BPM |
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