James MacMillan, Amy Dickson's 'From Galloway' came out on April 5, 2019. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Amy Dickson's "In Circles" album is number 4 out of 20. On top of that, Australia appears to be the country where this track was created. From Galloway is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of From Galloway by James MacMillan, Amy Dickson to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
"...as others see us...": Thomas Stearns Eliot (1888-1965) | James MacMillan, Evelyn Glennie, Scottish Chamber Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Vier Lieder aus dem Jungbrunnen, Op. 44: IV. Und gehst du über den Kirchhof | Johannes Brahms, Paul Heyse, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | D♭ Major | 4 | 3B | 81 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
Ur drömliv I (Arr. for Vocal Ensemble) | Elfrida Andrée, Singer Pur | A Major | 0 | 11B | 65 BPM | ||
O Salve Regina | Alice Tegner, Lund Korallerna Girls Choir, Lund Cantores Cathedrales, Eva Svanholm Bohlin | G Minor | 1 | 6A | 82 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM |
Section: 0.734004020690918
End: 0.7385523319244385