Johann Strauss I, John Georgiadis, London Symphony Orchestra made "Radetzky March, Op. 228" available on January 1, 2005. The duration of Radetzky March, Op. 228 is about 3 minutes long, at 3:00. Based on our data, "Radetzky March, Op. 228" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 10 in An Evening of Strauss, Part. 1 by Johann Strauss II, London Symphony Orchestra, John Georgiadis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Radetzky March, Op. 228 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Radetzky March, Op. 228 by Johann Strauss I, John Georgiadis, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Unter der Enns - Polka Op. 121 | Eduard Strauss, Hallé, Bramwell Tovey | D Major | 4 | 10B | 153 BPM | ||
Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob.III:17, "Serenade" (attrib. to Hoffstetter): II. Andante cantabile (arr. L. Stokowski for orchestra) | Franz Joseph Haydn, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 1 | 8B | 109 BPM | ||
Capriccio italien, Op. 45, TH. 47 | Pyotr Ilyich Tchaikovsky, Chicago Symphony Orchestra, Daniel Barenboim | C Minor | 0 | 5A | 82 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147 / Pt. 2: 10. "Jesus bleibet meine Freude" | Johann Sebastian Bach, Münchener Bach-Chor, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter | G Major | 2 | 9B | 106 BPM | ||
String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM |
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